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" But the sense of musical delight, with the power of producing it, is a gift of imagination ; and this together with the power of reducing multitude into unity of effect, and modifying a series of thoughts by some one predominant thought or feeling, may... "
Henry V - Strana 476
autor/autoři: William Shakespeare - 2000 - 295 str.
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The Complete Works of Samuel Taylor Coleridge: With an ..., Svazek 3

Samuel Taylor Coleridge - 1864 - 770 str.
...reputation for a natural poetic genius ; the love of the arbitrary end for a possession of the peculiar means. But the sense of musical delight, with the...feeling, may be cultivated and improved, but can never be learned. It is in these that " pocta nascitur nonjit" 2. A second promise of genius is the choice of...
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The Complete Works of Samuel Taylor Coleridge: With an ..., Svazek 3

Samuel Taylor Coleridge - 1864 - 772 str.
...reputation for a natural poetic genins ; the love of the arbitrary end for a possession of the peculiar means. But the sense of musical delight, with the...feeling, may be cultivated and improved, but can never bo learned. It is in these that " poeta nascitur nonfit." 2. A second promise of genins is the choice...
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On Poetic Interpretation of Nature

John Campbell Shairp - 1877 - 294 str.
...being at once, and are one. To this side Coleridge, I believe, would lean, for we find him saying — " The sense of musical delight, with the power of producing it, is a gift of imagination, and .... may be cultivated and improved, but can never be learned." On the whole, then, without deciding...
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The Works of Shakespeare ...

William Shakespeare - 1883 - 972 str.
...much reading, who has mistaken an intense desire of poetic reputation for a natural poetic genius. But the sense of musical delight, with the power of producing it, is a gift of imagination ; and (his, together with the power of reducing multitude into unity of effect, and modifying a series of...
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The Works of Shakespeare: the Text Carefully Restored According to the First ...

William Shakespeare - 1883 - 596 str.
...genius. But the sense of musical delight, with the power of producing1 it, is a gift of imagination j and this, together with the power of reducing multitude into unity of effect, and modifying a scries of thoughts by some one predominant thought or feeling, may be cultivated and improved, but...
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Biographia Literaria: Or, Biographical Sketches of My Literary Life and ...

Samuel Taylor Coleridge - 1884 - 482 str.
...reputation for a natural poetic genius ; the love of the arbitrary end for a possession of the peculiar means. But the sense of musical delight, with the...predominant thought or feeling, may be cultivated and im* proved, but can never be learnt. It is in these that " Poeta mostitur nonfit." 2. A. second promise...
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The Golden Guess: Essays on Poetry and the Poets

John Vance Cheney - 1891 - 312 str.
...Elsewhere he uses, perhaps, the most remarkable language yet spoken on the value of music in verse : " The sense of musical delight with the power of producing it, is a gift of the imagination." Here, music is not a happy attachment to the creative faculty, but is of the very...
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Coleridge's Principles of Criticism: Chapters I., III., IV., XIV.-XXII of ...

Samuel Taylor Coleridge - 1895 - 272 str.
...reputation for a natural poetic genius ; the 15 love of the arbitrary end for a possession of the peculiar means. But the sense of musical delight, with the...modifying a series of thoughts by some one predominant 20 thought or feeling, may be cultivated and improved, but can never be learnt. It is in these that...
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On Poetic Interpretation of Nature

John Campbell Shairp - 1900 - 286 str.
...at once, and are one. To this side Coleridge, I believe, would lean, for we find him saying — I" The sense of musical delight, with the power of producing it, is a gilt of imagination, and .... may be cultivated and improved, but can never be learned."' On the whole,...
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The Modern Language Review, Svazek 8

John George Robertson, Charles Jasper Sisson - 1913 - 620 str.
...the way in which this gradually yields to ' what Coleridge defines as the mark of the born poet, " the power of reducing multitude into unity of effect,...thoughts by some one predominant thought or feeling."' She sums up in a happy phrase the secret of Shelley's weakness as a philosopher:—' Shelley had gone...
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