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" All things that move between the quiet poles Shall be at my command. Emperors and kings Are but... "
Specimens of English Dramatic Poets: Who Lived about the Time of Shakspeare ... - Strana 39
autor/autoři: Charles Lamb - 1835
Úplné zobrazení - Podrobnosti o knize

The Plays of Christopher Marlowe and George Peele: Rhetoric and Renaissance ...

Brian B. Ritchie - 1999 - 362 str.
...Lines, circles, signs, letters, and characters — Ay, these are those that Faustus most desires. O, what a world of profit and delight, Of power, of honour, of omnipotence, Is promised to the studious artisan! All things that move between the quiet poles Shall be at my command....
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The Plays of Christopher Marlowe and George Peele: Rhetoric and Renaissance ...

Brian B. Ritchie - 1999 - 362 str.
...Lines, eireles, signs, letters, and eharaeters — Ay, these are those that Faustus most desires. O, what a world of profit and delight. Of power, of honour, of omnipotenee, 1s promised to the studious artisan! All things that move between the quiet poles Shall...
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The Irony of Identity: Self and Imagination in the Drama of Christopher Marlowe

Ian McAdam - 1999 - 300 str.
...spite of his stated intention, sounded none of their depths. Faustus pursues instead his desire for a "world of profit and delight, / Of power, of honour, of omnipotence" (1.1.55-56), and the crescendo from "power" to "omnipotence" signifies his movement from manly self-assertion...
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The Plays

Christopher Marlowe - 2000 - 564 str.
...consequently die: Ay, we must die an everlasting death. What doctrine call you this, Che sera, sera, What will be, shall be? Divinity, adieu! These metaphysics...And necromantic books are heavenly; Lines, circles, scenes, letters, and characters; 50 Ay, these are those that Faustus most desires. O, what a world...
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English Literature for AQA A

Tony Childs, Jackie Moore - 2000 - 196 str.
...of the first speech, Faustus is beginning to change his attitude towards magic and necromancy: Oh, what a world of profit and delight, Of power, of honour, of omnipotence, Is promised to the studious artizan! Later, in Scene 3, Faustus has practised magic and believes that...
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Multiculturalism & Hybridity in African Literatures

African Literature Association. Meeting - 2000 - 484 str.
...to acquire and exercise powers in this life that only a god or a supernatural agent could possess: These metaphysics of magicians And necromantic books...are heavenly; Lines, circles, letters, characters — Ay, these are those that Faustus most desires. O, what a world of profit and delight. Of power,...
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Shakespeare Survey: Volume 54, Shakespeare and Religions

Peter Holland - 2001 - 398 str.
...clear association between magic and colonialism in the magician plays of the 1 580s and nineties: O, what a world of profit and delight, Of power, of honour, of omnipotence Is promised to the studious artisan! (Dr Faustus, 1.1.55-7) There is a sense that the world now lies open...
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The Adelphi Players: The Theatre of Persons

Cecil William Davies - 2002 - 108 str.
...production concentrated on the central theme of Modern Man who sells his soul for knowledge and power: O, what a world of profit and delight, Of power, of honour, of omnipotence, Is promised to the studious artisan! All things that move between the quiet poles Shall be at my command...
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I Still Believe: How Listening to Christianity's Critics Strengthens Faith

Kurt Bruner - 2005 - 226 str.
...fame. In the words of the play's central protagonist: Ay, these are those that Faustus most desires. O, what a world of profit and delight, Of power, of honour, of omnipotence, Is promised to the studious artizan! 5 Bored by the tedious yet legitimate disciplines of law, philosophy,...
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Shakespeare's Marlowe: The Influence of Christopher Marlowe on Shakespeare's ...

Robert A. Logan - 2007 - 276 str.
...with the study of necromancy, suggesting that his initial self-image was that of a white magician: O, what a world of profit and delight. Of power, of honour, of omnipotence Is promised to the studious artisan! (A-Text: I, i, 55-57; B-Text: I, i, 53-55; my italics) Once he makes...
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