 Spanish poets of prime note have rejected rime both in longer and shorter works, as have also long since our best English tragedies, as a thing of itself, to all judicious ears, trivial and of no true musical delight; which consists only in apt numbers,...  Paradise Lost - Strana 113autor/autoři: John Milton - 1851 - 415 str.Úplné zobrazení - Podrobnosti o knize
 | John Milton - 2003 - 1012 str.
...to all judicious ears, trivial and of no true musical delight; which consists only in apt numbers,0 fit quantity of syllables, and the sense variously...sound of like endings, a fault avoided by the learned ancients both in poetry and all good oratory. This neglect then of rhyme so iittie is to be taken for... | |
 | Richard H. Lansing - 2003 - 432 str.
...a thing of itself, to all judicious ears, trivial, and of no true mu sical delight; which consists only in apt Numbers, fit quantity of Syllables, and...sense variously drawn out from one Verse into another. . . . Ibriously means, among other things, the diversity of ways in which the sense is drawn out (see... | |
 | Jeffrey Wainwright - 2004 - 248 str.
...as A thing of it self, to all judicious ears, trivial and of no true musical delight; which consists only in apt Numbers, fit quantity of Syllables, and...sense variously drawn out from one Verse into another. Milton's objections, that searching for 'the jingling sound of like endings' inhibits free expression,... | |
 | Margaret Kean - 2005 - 196 str.
...thing of it self, to all judicious ears, triveal and of no true musical delight; which consists onely in apt Numbers, fit quantity of Syllables, and the...not in the jingling sound of like endings, a fault avoyded by the learned Ancients both in Poetry and all good Oratory. This neglect then of Rime so little... | |
 | Gordon Teskey - 2006 - 238 str.
...perfect lucidity, Milton described the "true musical delight" of the verse of Paradise Lost as consisting in "apt numbers, fit quantity of syllables, and the...variously drawn out from one verse into another." There is more in this account of the verse than "true musical delight," something that is suggested,... | |
 | Andreas Gipper, Gisela Schlüter - 2006 - 472 str.
...tragedies". La musicalitä del verso, argomentava Milton, poteva fare a meno della rima se sapeva fondarsi su „apt numbers, fit quantity of Syllables, and the...sense variously drawn out from one verse into another" 25 , e proprio l'attento equilibrio (nient'affatto facile e spesso ottenuto con arditezze e dissonanze)... | |
 | Andreas Gipper, Gisela Schlüter - 2006 - 472 str.
...tragedies". La musicalitä del verso, argomentava Milton, poteva fare a meno della rima se sapeva fondarsi su „apt numbers, fit quantity of Syllables, and the sense variously drawn out from one verse into another"25, e proprio l'attento equilibrio (nient'affatto facile e spesso ottenuto con arditezze e... | |
 | Hershel Parker - 2008 - 250 str.
...Mathieu; the underlining is Melville's in his copy). True "musical delight," Milton declared, "consists only in apt Numbers, fit quantity of Syllables, and...another, not in the jingling sound of like endings" (Melville's underlining). In The Poetical Works and Remains of Henry Kirke White, which Melville bought... | |
 | Cornelia D. J. Pearsall - 2008 - 408 str.
...Milton's explanation for "why the Poem Rimes not," he states that we might find "true musical delight" in "apt Numbers, fit Quantity of Syllables, and the...sound of like endings, a fault avoided by the learned Ancients both in Poetry and all good Oratory."113 Adumbrating the elements and ambitions of blank verse,... | |
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