 | Mary Anneeta Mann - 2004 - 230 str.
...Primogeniture would make Albany consort to Goneril but he is not that in the play until the final scene: The weight of this sad time we must obey; Speak what we feel, not what we ought to say. The preceding is in the political dimension. Lear has extended himself to an opposite extreme of primogeniture... | |
 | Sidney Homan - 2004 - 169 str.
...Albany's surrogate son. Staring down at the silent figures of father and daughter, Edgar proclaims, "The weight of this sad time we must obey, / Speak what we feel, not what we ought to say." Having also taken in this sad sight, Albany looks up at the audience as he closes the play: "The oldest... | |
 | Kim Paffenroth - 2004 - 188 str.
...commentary on the situation that relates it back to the first scene (at which he was not present): "The weight of this sad time we must obey, / Speak what we feel, not what we ought to say" (S.3.324-25).7 We have watched in horror as two families and a kingdom have been destroyed as they... | |
 | Richard Felix, Rob Wilkins - 2004 - 220 str.
...this book is an extended commentary on those poignant lines at the end of Shakespeare's King Lear: "The weight of this sad time we must obey, / Speak what we feel, not what we ought to say." It is sad indeed, this telling of the wasting away of one so lovely and so vibrant. And yet, as Richard... | |
 | Gabriel Egan - 2004 - 178 str.
...unfixity, rather than inevitability, of historical outcomes. In Peter Holland's reading, the final lines 'The oldest hath borne most. We that are young / Shall never see so much, nor live so long' (5.3.301-2) assert that events are unrepeatable, that ' . . . the play has used up one of the potential... | |
 | Robert Bechtold Heilman, Eric Voegelin - 2004 - 352 str.
...Extremely important for the whole structure of the tragedy seem to me the closing lines of Albany: "The oldest hath borne most: we that are young, Shall never see so much, nor live so long." The question imposes itself: Why should the younger generation not live so long as the older, and experience... | |
 | William Shakespeare - 2005 - 900 str.
...sustain. KENT I have a journey, sir, shortly to go: 320 My master calls me; I must not say no. EDGAR The weight of this sad time we must obey; Speak what...are young Shall never see so much, nor live so long. \The bodies are borne out, all follow with 'a death march' MACBETH INTRODUCTION Macbeth is a dark thriller... | |
 | Maynard Mack - 2005 - 144 str.
...earlier; and if in a sense they still sum up the play, it is because they carry a minimum of commitment: The weight of this sad time we must obey; Speak what...are young Shall never see so much, nor live so long. IV There is one other defining "source" behind King Lear, I think. This is the shape of pastoral romance.... | |
 | Margaret Paxson - 2005 - 408 str.
...••<! -^r ?i ;'• • jt--j •••/••• ?c? --•-•<> -a Afterword ON LIGHTNESS AND WEIGHT The weight of this sad time we must obey; Speak what...are young Shall never see so much, nor live so long. -EDGAR, KING LEAR [I]s heaviness truly deplorable and lightness splendid? -MILAN KUNOERA, THE UNBEARABLE... | |
 | Frederick William Sternfeld - 2005 - 392 str.
...the fates of Othello and lago. The final tribute to King Lear would be out of place in this company: The oldest hath borne most: we that are young Shall...much, nor live so long. [Exeunt with a dead march] Once lago determines on a 'stoup of wine' to put our Cassio in some action That may offend the isle... | |
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The weight of this sad time we must obey ; Speak what we feel, not what we ought to say. The oldest hath borne most : we, that are young, Shall never see so much, nor live so long. 
