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" O'erflows the measure : those his goodly eyes, That o'er the files and musters of the war Have glow'd like plated Mars, now bend, now turn, The office and devotion of their view Upon a tawny front : his captain's heart, Which in the scuffles of great... "
The Works of Shakespeare - Strana 82
autor/autoři: William Shakespeare - 1752
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The Works of Shakespeare: the Text Carefully Restored According to the First ...

William Shakespeare - 1855 - 630 str.
...measure : those his goodly eyes, That o'er the files and musters of the war Have glow'd like plated Mars, now bend, now turn The office and devotion of their...a tawny front : his captain's heart, Which in the scuffles of great fights hath burst The buckles on his breast, reneges all temper,1 And is become the...
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Broken Nuptials in Shakespeare's Plays

Carol Thomas Neely - 1985 - 300 str.
...introducing the terms of the conventional dichotomy: Antony's eyes, which once "glowed like plated Mars, now bend, now turn / The office and devotion of their...a tawny front. His captain's heart, / Which in the scuffles of great fights hath burst / The buckles on his breast, reneges all temper / And is become...
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Antony and Cleopatra

Harley Granville-Barker - 1993 - 164 str.
...measure; those his goodly eyes, That o'er the files and musters of the war Have glow'd like plated Mars, now bend, now turn, The office and devotion of their...Upon a tawny front: his captain's heart, Which in the scuffles of great fights hath burst The buckles on his breast, reneges all temper, And is become the...
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Antony and Cleopatra

William Shakespeare - 1993 - 166 str.
...those his goodly eyes, That o'er the files and musters of the war Have glowed like plated Mars — now bend, now turn The office and devotion of their view Upon a tawny front: 1 his captain's heart, Which in the scuffles of great fights hath burst The buckles on his breast,...
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Everybody's Shakespeare: Reflections Chiefly on the Tragedies

Maynard Mack - 1993 - 300 str.
...soldier: those his goodly eyes That o'er the files and musters of the war Have glowed like plated Mars, now bend, now turn The office and devotion of their view Upon a tawny front; (1.1.2) and there is more than one kind of attitude that may be taken toward the imperium of Rome:...
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Men in Women's Clothing: Anti-theatricality and Effeminization, 1579-1642

Laura Levine - 1994 - 200 str.
...love: Those his goodly eyes, That o'er the files and musters of the war Have glow'd like Plated Mars, now bend, now turn The office and devotion of their view Upon a tawny front. (Ii2-6)2 Literally the description is one of behavior, of a gaze changing, of eyes changing from one...
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Things of Darkness: Economies of Race and Gender in Early Modern England

Kim F. Hall - 1995 - 340 str.
...opening scene, Philo comments on both Cleopatra's sexuality and her darkness, claiming that Antony's eyes "now bend, now turn / The office and devotion of their view / Upon a tawny front" (1.1.4-6) and calling him "the fan / To cool a gipsy's lust" (iig-io).27 His language, typical of orientalist...
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As You Like It (MAXNotes Literature Guides)

Michael Morrison - 2013 - 120 str.
...Cleopatra: ...those goodly eyes, That o'er the files and musters of the war Have glow'd like plated Mars, now bend, now turn The office and devotion of their view Upon a tawny front.... (I, i, 11. 2-6) Whereas Shakespeare sometimes heaps detail upon detail, his sentences are often elliptical,...
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Antony and Cleopatra (MAXNotes Literature Guides)

John Foss - 2013 - 128 str.
...Cleopatra: ...those goodly eyes, That o'er the files and musters of the war Have glow'd like plated Mars, now bend, now turn The office and devotion of their view Upon a tawny front.... (I, i, 11. 2-6} Whereas Shakespeare sometimes heaps detail upon detail, his sentences are often elliptical,...
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A Midsummer Night's Dream (MAXNotes Literature Guides)

Gail Rae - 2013 - 104 str.
...Cleopatra: ...those goodly eyes, That o'er the files and musters of the war Have glow'd like plated Mars, now bend, now turn The office and devotion of their view Upon a tawny front.... (I, i, ll. 2-6) Whereas Shakespeare sometimes heaps detail upon detail, his sentences are often elliptical,...
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