 The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other, according to their relative worth and dignity. He diffuses a tone and spirit of unity that blends, and (as it were)...  The American Whig Review - Strana 1561848Úplné zobrazení - Podrobnosti o knize
 | Samuel Taylor Coleridge - 1849 - 578 str.
...images, thoughts and emotions of the poet's own mind. The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination...and spirit of unity, that blends, and, (as it were,) ftists, each into each, by that synthetic and magical power, to which we have exclusively appropriated... | |
 | 1852 - 746 str.
...soul of man into activity, with the suhordination of its faculties to each other, aecording to thcir relative worth and dignity. He diffuses a tone and spirit of unity that hlends and, as it were, fuses each into each, hy that synthetic and magical power to which we have... | |
 | Samuel Taylor Coleridge - 1853 - 764 str.
...images, thoughts, and emotions of the poet's own mind. The poet, deseribed in ideal perfection, brings the whole soul of man into activity, with the subordination...fuses, each into each, by that synthetic and magical power, to which I would exclusively appropriate the name of Imagination. This power, first put in action... | |
 | Samuel Taylor Coleridge - 1853 - 760 str.
...perfection, brings the whole soul man into activity, with the subordination of its faculties to Veach other according to their relative worth and dignity....fuses, each into each, by that synthetic and magical power, to which I would exclusively appropriate the name of f lmagination. This power, first put in... | |
 | Samuel Taylor Coleridge - 1854 - 766 str.
...images, thoughts, and emotions of the poet's own mind. The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination...fuses, each into each, by that synthetic and magical power, to which I would exclusively appropriate the name of Imagination* This power, first put in action... | |
 | Charles Augustus Ward - 1855 - 208 str.
...not the poet's object. Coleridge says of the poet, that " described in ideal perfection, he brings the whole soul of man into activity with the subordination...fuses each into each by that synthetic and magical power to which we have exclusively appropriated the name of imagination. This power, first put in action... | |
 | Samuel Taylor Coleridge - 1858 - 770 str.
...images, thoughts, and emotions of the poet's own mind. The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination...fuses, each into each, by that synthetic and magical power, to which I would exclusively appropriate the name of Imagination. This power, first put in action... | |
 | Bath and West of England Society - 1859 - 470 str.
...combining both ; these are the Poetry of Nature. " The Poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination...blends and (as it were) fuses each into each, by that magical power to which we have exclusively appropriated the name of Imagination. This power — first... | |
 | Samuel Taylor Coleridge - 1864 - 770 str.
...and emotions of the poet's own mind. The poet, described in ideal perfection, brings the whole sold of man into activity, with the subordination of its...fuses, each into each, by that synthetic and magical power, to which I would exclusively appropriate the name of Imagination. This power, first put in action... | |
 | Samuel Taylor Coleridge - 1864 - 772 str.
...the whole soul of man into aetivity, with the subordination of its faeulties to eaeh other aeeording to their relative worth and dignity. He diffuses a...spirit of unity, that blends, and (as it were) fuses eaeh into eaeh, by that synthetie and magieal power, to whieh I would exelusively appropriate the name... | |
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