 | Adolphus Alfred Jack - 1911 - 300 str.
...us ; an inexhaustible treasure, but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not, ears that hear...not, and hearts that neither feel nor understand.' Wordsworth was to give the charm of novelty to things of every day, but for Wordsworth this was not... | |
 | William Allan Neilson - 1912 - 302 str.
...us ; an inexhaustible treasure, but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand."2 It appears from these two statements that Wordsworth's main aim was not that truth to... | |
 | William Henry Hudson - 1913 - 484 str.
...us ; an inexhaustible treasure, but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not, ears that hear...not, and hearts that neither feel nor understand." x This is why Browning calls poets the " makers-see ", and why Carlyle writes of them as " gifted to... | |
 | Glen Warren Bowersock, Walter Burkert, Michael C. J. Putnam - 1979 - 490 str.
...us; an inexhaustible treasure, but for which in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand."7 Coleridge's words, "feeling analogous to the supernatural," should remind us that Rudolf... | |
 | 1994 - 110 str.
...more suggestive in what it contributes to the myth of Wordsworth's "hostile takeover" of the project: With this view I wrote the "Ancient Mariner," and...in my first attempt. But Mr Wordsworth's industry proved so much more successful, and the number of his poems so much greater, that my compositions,... | |
 | Alan W. Bellringer, C. B. Jones - 1980 - 176 str.
...us; an inexhaustible treasure, but for which in consequence of the film of familiarity and selfish solicitude we have eyes, yet see not, ears that hear...not, and hearts that neither feel nor understand. ...But the communication of pleasure may be the immediate object of a work not metrically composed;... | |
 | Basil Willey - 1980 - 310 str.
...but for which, in consequence of the veil of familiarity and selfish solicitude, we have eyes that see not, ears that hear not, and hearts that neither feel nor understand'. It was for the poet to be 'a priest to us all Of the wonder and bloom of the world'; through the deep... | |
 | Samuel Taylor Coleridge - 1984 - 860 str.
...us; an inexhaustible treasure, but for which in consequence of the film of familiarity ' and selfish solicitude we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand.2 With this view I wrote the "Ancient Mariner," and was preparing among other poems, the... | |
 | George Alexander Kennedy, Marshall Brown - 1989 - 532 str.
...us; an inexhaustible treasure, but for which, in consequence of the film of familiarity and selfish solicitude we have eyes, yet see not, ears that hear...not, and hearts that neither feel nor understand. Coleridge's formulation shows that much in Wordsworth that is not overtly religious may be deemed ancillary... | |
 | Karl Kroeber, Gene W. Ruoff - 1993 - 520 str.
...every day" and thus "excite a feeling analogous to the supernatural." "With this view," he continues, "I wrote 'The Ancient Mariner,' and was preparing...realized my ideal, than I had done in my first attempt." If in the end his poems came to seem like "heterogeneous" material, the reasons were purely circumstantial:... | |
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... every day, and to excite a feeling analogous to the supernatural, by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us; an inexhaustible treasure, but for which, in... 
