The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, ' My life is dreary, He cometh not... Tennyson: A Critical Study - Strana 120autor/autoři: Stephen Lucius Gwynn - 1899 - 234 str.Úplné zobrazení - Podrobnosti o knize
| Alfred Tennyson Baron Tennyson - 1890 - 120 str.
...You have bitten into the heart of the earth, But not into mine. From " The IVitiJ THE MOATED GRANGE. With blackest moss the flower-plots Were thickly crusted,...from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange : Unlifted was the clinking latch ; Weeded and worn the ancient... | |
| 1989 - 204 str.
...the poem contains things which are more subtle and interesting than that. Take the opening lines : With blackest moss the flower-plots Were thickly crusted, one and all: The reader may be wondering why the effect of thick encrustation should be brought home to him so extremely... | |
| Alfred Tennyson Baron Tennyson - 1907 - 628 str.
...the what and the why ? (1830) XI MARIANA " Mariana in the moated grange." — Measure for Measure. WITH blackest moss the flower-plots Were thickly crusted,...The rusted nails fell from the knots That held the peach to the garden-wall. The broken sheds look'd sad and strange : Unlifted was the clinking latch... | |
| John Bayley - 1971 - 384 str.
...demeure Ces noirs sillons par oil Ton pleure, Que les veuves ont sous les yeux.1 Or in Tennyson's Mariana With blackest moss the flower-plots Were thickly crusted,...nails fell from the knots That held the pear to the gable- wall . . . In both poets detail is anthropomorphised into mood; a still life becomes a face... | |
| David Daiches - 1969 - 356 str.
...Consider, for example, the use he makes of objects in "Mariana": With blackest moss the flower-pots Were thickly crusted, one and all: The rusted nails...from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient... | |
| Carol T. Christ - 1986 - 192 str.
...feeling that is the poem's occasion. "Mariana" provides the most extraordinary example of this technique. With blackest moss the flower-plots Were thickly crusted,...from the knots That held the pear to the gable-wall. The broken sheds looked sad and strange; Unlifted was the clinking latch; Weeded and worn the ancient... | |
| Carol T. Christ - 1986 - 192 str.
..."Mariana" provides the most extraordinary example of this technique. With blackest moss the flower- plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable- wall. The broken sheds looked sad and strange; Unlifted was the clinking latch; Weeded and worn... | |
| R. P. Hewett - 1985 - 322 str.
...dearest, thou, and slip Into my bosom and be lost in me. Mariana With blackest moss the flower-pots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the garden-wall. The broken sheds look'd sad and strange: 5 Unlifted was the clinking latch; Weeded and... | |
| Bill Moore - 1987 - 180 str.
...HENRY WADSWORTH LONGFELLOW This reminds me of Tennyson's "Mariana:" With blackest moss the flower plots Were thickly crusted, one and all; The rusted nails fell from the knots That held the pear to the gabled wall. . . She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary,... | |
| Elaine Jordan - 1988 - 212 str.
...though once people did come, they don 't now ; the latch can 't be clinking because it's unlifted: The rusted nails fell from the knots That held the pear to the gable wall. The broken sheds looked sad and strange: Unlifted was the clinking latch . . . (3-6) Because... | |
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