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" The other shape, If shape it might be call'd, that shape had none Distinguishable in member, joint, or limb, Or substance might be call'd that shadow seem'd, For each seem'd either ; black it stood as night, Fierce as ten furies, terrible as hell, And... "
The Inspector, Literary Magazine and Review - Strana 477
1827
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Practical Elocution: Containing Illustrations of the Principles of Reading ...

Samuel Niles Sweet - 1843 - 324 str.
...to dance With Lapland witches, while the laboring moon Eclipses at their charms. 6. The other shape, If shape it might be call'd that shape had none Distinguishable...call'd that shadow seem'd, For each seem'd either ; black it stood as night, Fierce as ten furies, terrible as hell, And shook a dreadful dart ; what...
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Select Works of the British Poets: In a Chronological Series from Ben Jonson ...

John Aikin - 1843 - 826 str.
...blood, lo dance With Lapland witches, while the laboring Moon Eclipses at their charms. The other shape, hen thy Sun Shoots full perfection through the swelling...oft at dawn, deep noon, or falling eve. By brooks black it stood as .night, Fierce as ten furies, terrible as Hell, And shook a dreadful dart ; what...
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The City of London Magazine, Svazek 1,Vydání 1 –Svazek 2,Vydání 9

1843 - 592 str.
...Milton discover in his picture of the horrid form which guarded the portals of hell, its shape — " If shape it might be call'd, that shape had none Distinguishable...substance might be call'd that shadow seem'd , For each seemM either ; black it stood as Night Fierce as ten Furies, terrible аз Hell." Shakspere's tragedies...
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John Milton: The Self and the World

John T. Shawcross - 1993 - 372 str.
...The other shape, If shape it might be call'd that shape had none Distinguishable in member, joynt, or limb. Or substance might be call'd that shadow seem'd, For each seem'd either . . . The first beast and Sin, whose femaleness is underscored by reference to sea and moon as well...
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Epic and Empire: Politics and Generic Form from Virgil to Milton

David Quint - 1993 - 448 str.
...(649) of Hell. It is Death who is a "shapelesse shape": The other shape, If shape it might be called that shape had none Distinguishable in member, joint, or limb, Or substance might be called that shadow seemed, For each seemed either; (PL 2.666-70) while Sin takes on the more specific...
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Signifying Woman: Culture and Chaos in Rousseau, Burke, and Mill

Linda Marie-Gelsomina Zerilli - 1994 - 236 str.
...the following "description of Death" from Paradise Lost: The other shape, If shape it might be called that shape had none Distinguishable, in member, joint, or limb; Or substance might be called that shadow seemed, For each seemed either; black he stood as night; Fierce as ten furies; terrible...
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Allegories of Writing: The Subject of Metamorphosis

Bruce Clarke, Paul Whitfield Horn Professor of Literature and Science and Chair of the Department of English Bruce Clarke - 1995 - 226 str.
...sublime feeling of the unimaginable for a mere image": The other shape, If shape it might be called that shape had none Distinguishable in member, joint, or limb, Or substance might be called that shadow seemed, For each seemed either; black it stood as night . . . (2.666-70)17 However,...
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Jean Paul im Kontext: gesammelte Aufsätze

Götz Müller - 1996 - 190 str.
...Miltons Allegorie des Todes sehr nahe: The other shape, If shape it might be call'd that shape h ad none Distinguishable, in member, joint, or limb; Or...call'd that shadow seem'd, For each seem'd either; black he stood äs night; Fierce äs ten ruries; terrible äs hell; And shook a deadly dart. What seem'd...
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The Insistence of History: Revolution in Burke, Wordworth, Keats, and Baudelaire

Geraldine Friedman - 1996 - 300 str.
...had intrencht" (Paradise Lost, 1.599-601), and to the shapeless shape of Death: "The other shape, / If shape it might be call'd that shape had none / Distinguishable in member, joint, or limb" (Paradise Lost, 2.666-68), both of which are figures of sedition. Bewell notes that being "shaped and...
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The Sublime: A Reader in British Eighteenth-Century Aesthetic Theory

Andrew Ashfield, Peter de Bolla - 1996 - 332 str.
...colouring he has finished the portrait of the king of terrors. The other shape, If shape it might be called that shape had none Distinguishable, in member, joint, or limb; Or substance might be called that shadow seemed, For each seemed either; black he stood as night; Fierce as ten furies; terrible...
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