 I may hazard such an expression, the utter aloofness of the poet's own feelings from those of which he is at once the painter and the analyst, that though the very subject cannot but detract from the pleasure of a delicate mind, yet never was poem less...  Henry V - Strana 477autor/autoři: William Shakespeare - 2000 - 295 str.Omezený náhled - Podrobnosti o knize
 | William Shakespeare - 1851 - 458 str.
...from the alienation, and, if I may hazard such an expression, the utter aloofness of the poet's own feelings from those of which he is at once the painter...never was poem less dangerous on a moral account." * Coleridge, in the preceding chapter of his " Literary Life," says, " During the first year that Mr.... | |
 | William Shakespeare - 1851 - 446 str.
...from the alienation, and, if I may hazard such an expression, the utter aloofness of the poet's own feelings from those of which he is at once the painter...never was poem less dangerous on a moral account." * Coleridge, in the preceding chapter of his " Literary Lite," says, "During the first year that Mr.... | |
 | William Shakespeare - 1851 - 624 str.
...from the alienation, and, if I may hazard such an expression, the utter aloofness of the poet's own feelings from those of which he is at once the painter...never was poem less dangerous on a moral account."* Coleridge, in the preceding chapter of his 'Literary Life,' says, "During the first year that Mr. Wordsworth... | |
 | William Shakespeare - 1852 - 432 str.
...from the alienation, and, if I may hazard such an expression, the utter aloofness of the poet's own feelings from those of which he is at once the painter...and the analyst, — that though the very subject canuot but detract from the pleasure of a delicate mind, yet never was poem less dangerous on a moral... | |
 | Samuel Taylor Coleridge - 1853 - 764 str.
...because the illustration and the thing illustrated could not be given together. — SC] the poet's own feelings, from those of which he is at once the painter...and the analyst ; — that though the very subject can not but detract from the pleasure of a delicate mind, yet never was poem less dangerous on a moral... | |
 | Samuel Taylor Coleridge - 1853 - 622 str.
...the analyst ; that though tho very subject canno but detract from the pleasure of a delicate mind, ye never was poem less dangerous on a moral account Instead of doing as Ariosto, and as, still more ofTen lively, Weiland has done ; instead of degrading am deforming passion into appetite, the trials... | |
 | Samuel Taylor Coleridge - 1853 - 760 str.
...famous image in the Pvrgatorio solo guardondo A guisa di Icon quando si posffi, • the poet's own feelings, from those of which he is at once the painter and the analyst;—that though the very subject can not hut detract from the pleasure of a delicate mind, yet... | |
 | Samuel Taylor Coleridge - 1854 - 766 str.
...illustrations. The famous image in the Purgatorio solo guardando A guisa di Icon quando si posse, the poet's own feelings, from those of which he is at once the painter...and the analyst ; — that though the very subject can not but detract from the pleasure of a delicate mind, yet never was poem less dangerous on a moral... | |
 | William Shakespeare - 1856 - 424 str.
...from the alienation, and, if I may hazard such an expression, the utter aloofness of the poet's own feelings from those of which he is at once the painter and the analyst,—that though the very subject cannot but detract from the pleasure of a delicate mind, yet... | |
 | Samuel Taylor Coleridge - 1864 - 772 str.
...detraet from the pleasure of a delieate mind, yet never was poem less dangerous on a moral aeeount. Instead of doing as Ariosto, and as, still more offensively,...appetite, the trials of love into the struggles of eoneupiseenee ; — Shakspeare has here represented the animal impulse itself, so as to preelude all... | |
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