 I may hazard such an expression, the utter aloofness of the poet's own feelings from those of which he is at once the painter and the analyst, that though the very subject cannot but detract from the pleasure of a delicate mind, yet never was poem less...  Henry V - Strana 477autor/autoři: William Shakespeare - 2000 - 295 str.Omezený náhled - Podrobnosti o knize
 | Raymond Macdonald Alden - 1922 - 412 str.
...rich-blooded lovers whom, Shakespeare was later to bring into being. Hence, as Coleridge observed, "though the very subject cannot but detract from the...never was poem less dangerous on a moral account." Indeed, as we proceed with the encounter, we presently find Adonis breaking into a moral discourse... | |
 | Samuel Taylor Coleridge - 1920 - 388 str.
...from the alienation, and, if I may hazard such an expression, the utter aloofness of the poet's own feelings, from those of which he is at once the painter...trials of love into the struggles of concupiscence; — Shakespeare has here represented the animal impulse itself, so as to preclude all sympathy with... | |
 | William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray IV, Rowland Edmund Prothero (Baron Ernle) - 1919 - 562 str.
...is due to ' the alienation and, if I may hazard such an expression, the utter aloofness of his own feelings from those of which he is at once the painter and the analyst.' To much the same effect writes, quite independently, M. Rene Doumic, a member of the French Academy... | |
 | 1968 - 328 str.
...from the alienation, and, if I may hazard such an expression, the utter aloofness of the poet's own feelings from those of which he is at once the painter...trials of love into the struggles of concupiscence; Shakespeare has here represented the animal impulse itself, so as to preclude all sympathy with it,... | |
 | 300 str.
...writes of 'the alienation, and, if I may hazard the expression, the utter aloofness of the poet's own feelings, from those of which he is at once the painter and the analyst', and, though perhaps unduly concerned about the indelicacy of the subject, adds that 'Shakespeare has... | |
 | René Wellek - 1981 - 472 str.
...writer himself." The highest praise is given to Shakespeare for the "utter aloofness of the poet's own feelings, from those of which he is at once the painter and the analyst." " Shakespeare is like "the Spinozistic deity — an omnipresent creativeness." " This impersonality,... | |
 | Samuel Taylor Coleridge - 1984 - 860 str.
...from the alienation, and, if I may hazard such an expression, the utter aloofness of the poet's own feelings, from those of which he is at once the painter and the analyst;1 that though the very subject cannot but detract from the pleasure of a delicate mind, yet... | |
 | William Shakespeare - 1992 - 324 str.
...thoughts and images; and above all from the alienation, and ... the utter aloofness of the poet's own feelings, from those of which he is at once the painter...from the pleasure of a delicate mind, yet never was a poem less dangerous on a moral account. (Coleridge, pp. 15-16) As the examples cited from the text... | |
 | R. Rawdon Wilson - 1995 - 322 str.
...from the alienation, and, if I may hazard such an expression, the utter aloofness of the poet's own feelings, from those of which he is at once the painter and the analyst. (Raysor 1930, 2:330). The two characters, though fully developed as Dubrow demonstrates, are treated... | |
 | John Barrell - 2000 - 860 str.
...Shakespeare's apparently most erotic poem avoids inflaming the sexual appetites of its readers, so that, 'though the very subject cannot but detract...never was poem less dangerous on a moral account'. For 'Shakspeare', Coleridge explains, precludes 'all sympathy' with 'the animal impulse', by dissipating... | |
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