 | Samuel Taylor Coleridge - 1907 - 348 str.
...ideal perfection, brings the whole | soul of man into activity, with the subordination of its1° ! faculties to each other, according to their relative...each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination. This power, first put in action by 15 the... | |
 | Samuel Taylor Coleridge - 1907 - 344 str.
...described in ideal perfection, brings the whole soul of man into activity, with the subordination of its 10 faculties to each other, according to their relative...each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination. This power, first put in action by 15 the... | |
 | Samuel Taylor Coleridge - 1908 - 316 str.
...own generaLITERARY CRITICISM POETRY THE poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its...each, by that synthetic and magical power, to which we have exclusively appropriated the name of Imagination. This power, first put in action by the will... | |
 | Samuel Taylor Coleridge - 1908 - 296 str.
...fuses, each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of Imagination. This power, first put in action by the will and understanding, and retained under their irremissive, though gentle and unnoticed, controul (laxis effertur habenis) reveals... | |
 | John Matthews Manly - 1909 - 578 str.
...and emotions of the poet's own mind. The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its...each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination. This power, first put in action by the will... | |
 | John Matthews Manly - 1909 - 574 str.
...fuses, each into each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination. This power, first put in action by the will and understanding, and retained under their irremissive, though gentle and unnoticed, control (Iaxis efertur habenis ') reveals... | |
 | Franklyn Bliss Snyder, Robert Grant Martin - 1916 - 944 str.
...emotions of the poet's own mind. The poet, described in [340 ideal perfection, brings the whole soul of man into activity, with the subordination of its...each, by that synthetic and magical power, to which we have exclusively appropriated the name of imagination. This power, first put [350 in action by the... | |
 | John Matthews Manly - 1916 - 828 str.
...and emotions of the poet's own mind. The poet, described in ideal perfection, brings the whole soul Now mix'd, now one by one. 355 Sometimes a-dropping...'twas like all instruments, Now like a lonely flute; we have exclusively appropriated the name of imagination. This power, first put in action by the will... | |
 | 1916 - 792 str.
...and emotions of the poet's own mind. The poet, described in ideal perfection, brings the whole soul ower to see is a straight staff bent in a pool; 16...And the ear of man cannot hear, and the eye of man we have exclusively appropriated the name of imagination. This power, first put in action by the will... | |
 | George Benjamin Woods - 1916 - 1604 str.
...and emotions of the poet's own mind. The poet, described in ideal perfection, brings the whole soul o'er my shoulders slung, A nutting crook in hand...far-distant wood, a figure quaint,. Tricked out in proud d 1 The free spirit ooght to be urged onward. Satyric p. 63. * See Poc s The Poetic Principle, In which... | |
| |
The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other, according to their relative worth and dignity. 
