 | John Gibson Lockhart - 1828 - 324 str.
...solitary whistle of the curlew, in a summer noon, or the wild mixing cadence of a troop of grey plover, in; an autumnal morning, without feeling an elevation*,...owing? Are we a piece of machinery, which, like the Auilian harp, passive, takes the impression of the passing accident ? Or do these workings argue something... | |
 | 1829 - 466 str.
...solitary whistle of the curlew in a summer morn, or the wild mixing cadence of a troop of grey plover, in an autumnal morning, without feeling an elevation...owing ? Are we a piece of machinery, which, like the JEolian harp, passive, takes the impression of the passing accident1! Or do these workings argue something... | |
 | Robert Burns - 1831 - 484 str.
...solitary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of gray plover in an autumnal morning, without feeling an elevation...of machinery, which, like the Eolian harp. passive, takea the impression of the pass ing accident t Or do these workings argue something within us above... | |
 | 1832 - 792 str.
...solitary whistle of the curlew in a Summer noon, or the wild mixing cadence of a troop of gray plovers in an autumnal morning, without feeling an elevation...like the Eolian harp, passive, takes the impression of the passing accident? Or do these workings argue something within us, above the trodden clod."*... | |
 | 1833 - 328 str.
...solitary whistle of the curlew, in a summer noon, or the wild mixing cadence of a troop of gray plover, in an autumnal morning, without feeling an elevation...devotion or poetry. Tell me, my dear friend, to what this can be owing ? Are we a piece of machinery, which, like the JEoh'an harp, passive, takes the impression... | |
 | Robert Burns, Allan Cunningham - 1834 - 384 str.
...solitary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of grey plovers, in an autumnal morning, without feeling an elevation...like the Eolian harp, passive, takes the impression of the passing accident ? Or do these workings argue something within us above the trodden clod ? I... | |
 | sir Samuel Egerton Brydges (bart.) - 1834 - 494 str.
...noon, or the wild mixing cadence of a troop of gray plovers in an autumnal morning, without feeling the elevation of soul, like the enthusiasm of devotion...like the ^Eolian harp, passive, takes the impression of the passing accident ? or, do these workings argue something within us above the trodden clod? I... | |
 | Robert Burns - 1834 - 420 str.
...solitary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of grey plovers in an autumnal morning, without feeling an elevation...of soul like the enthusiasm of devotion or poetry. Do these workings argue something within us above the trodden clod ? I own myself partial to such proofs... | |
 | Robert Burns - 1835 - 440 str.
...solitary whistle of the curlew, in a summer noon, or the wild mixing cadence of a troop of grey plover, in an autumnal morning, without feeling an elevation...poetry. Tell me, my dear friend, to what can this he owing ? Are we » piece of machinery, which, like the ^Eolian harp, passive, takes the impression... | |
 | Charles Bucke - 1837 - 488 str.
...solitary, whistle of the curlew, in a summer's noon, or the wild mixing cadence of a troop of grey plover, in an autumnal morning, without feeling an elevation...a piece of machinery, which, like the Eolian harp, is passive, and takes the impression of the passing accident ? Or do these workings argue something... | |
| |
I never hear the loud solitary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of gray plover in an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. 
