 Vandyke, as a perfect representation of the character as well as the figure of the man. He agreed it was very fine, but it wanted spirit and contrast, and had not the flowing line, without which a figure could not possibly be graceful. When we entered...  The nature of the fine arts - Strana 86autor/autoři: Henry Parker - 1885Úplné zobrazení - Podrobnosti o knize
 | Samuel Johnson - 1811 - 386 str.
...by Vandyke, as a perfect representation of the character as well as the figure of the man. He agreed it was very fine, but it wanted spirit and contrast,...recollecting his rules by which he was to criticise Ratfaele. I shall pass over his observation of the boats being too little, and other criticisms of... | |
 | 1792 - 620 str.
...flowing line, without \vhich a figure could not poflihly be fraceful. When we entered the gallery, thought I could perceive him recollecting his rules by which he was to criticife Raffaelle. I fhall pafs over his obfervalions of the boat being too little, and other criticifins... | |
 | Samuel Johnson - 1816 - 484 str.
...by Vandyke, as a perfect representation of the character as well as the figure of the man. He agreed it was very fine, but it wanted spirit and contrast,...was to criticise Raffaelle. I shall pass over his observation of the boats being too little, and other criticisms of that kind, till we arrrived at St.... | |
 | Samuel Johnson - 1818 - 420 str.
...by Vandyke, as a perfect representation of the character as well as the figure of the man. He agreed it was very fine, but it wanted spirit and contrast,...was to criticise Raffaelle. I shall pass over his observation of the1 boats being too little, and other criticisms of that kind, till we arrived at St.... | |
 | Sir Joshua Reynolds - 1819 - 446 str.
...by Vandyck, as a perfect representation of the character as well as the figure of the man: He agreed it was very fine, but it wanted spirit and contrast,...was to criticise Raffaelle. I shall pass over his observation of the boats being too little, and other criticisms of that kind, till we arrived at St.... | |
 | sir Joshua Reynolds - 1819 - 440 str.
...Vandyck, as a perfect representation of the character as well as the figure of the man : He agreed it was very fine, but it wanted spirit and contrast,...was to criticise Raffaelle. I shall pass over his observation of the boats being too little, and other criticisms of that kind, till we arrived at St.... | |
 | Samuel Johnson - 1820 - 428 str.
...by Vandyke, as a perfect representation of the character as well as the figure of the man. He agreed it was very fine, but it wanted spirit and contrast,...recollecting his rules by which he was to criticise Rajffaelle. I shall pass over his observation of the boats being toe little, and other criticisms of... | |
 | Samuel Johnson, Arthur Murphy - 1820 - 430 str.
...by Vandyke, as a perfect representation of the character as well as the figure of the man. He agreed it was very fine, but it wanted spirit and contrast, and had not the Sowing line, without which a figure could not possibly be graceful. When we entered the gallery, I... | |
 | Lionel Thomas Berguer - 1823 - 690 str.
...by Vandyke, as a perfect representation of the character as well as the figure of the man. He agreed it was very fine, but it wanted spirit and contrast,...was to criticise Raffaelle. (I shall pass over his observation of the boots being too little, and other criticisms of that kind, till we arrived at St.... | |
 | Samuel Johnson - 1823 - 582 str.
...as a perfect VOL. v. x representation of the character as well as the figure of the man. He agreed it was very fine, but it wanted spirit and contrast,...was to criticise RafFaelle. I shall pass over his observation of the boats being too little, and other criticisms of that kind, till we arrived at "... | |
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