| Robert Lawson-Peebles - 1996 - 180 str.
...is worth recalling that Samuel Johnson, after clearly enumerating FalstafTs flaws, concluded that: the man thus corrupt, thus despicable, makes himself...perpetual gaiety, by an unfailing power of exciting laughter, which is the more freely indulged, as his wit is not of the splendid or ambitious kind, but... | |
| Lawrence Lipking - 1998 - 422 str.
[ Omlouváme se, ale obsah této stránky je nepřístupný. ] | |
| Gabriel Josipovici - 1999 - 316 str.
[ Omlouváme se, ale obsah této stránky je nepřístupný. ] | |
| Scott D. Evans - 1999 - 180 str.
...Johnson's view, dominates: But Falstaff unimitated, unimitable Falstaff, how shall I describe thee? . . . The man thus corrupt, thus despicable, makes himself...perpetual gaiety, by an unfailing power of exciting laughter. (523) We recognize in this description the admiration for the portrayal of exuberant energy... | |
| William Shakespeare - 2000 - 564 str.
...At once obsequious and malignant, he satirizes in their absence those whom he lives by flattering. He is familiar with the prince only as an agent of...perpetual gaiety, by an unfailing power of exciting laughter, which is the more freely indulged, as his wit is not of the splendid or ambitious kind, but... | |
| Tim Spiekerman - 2001 - 222 str.
...1932), 88-89. Dr. Johnson's discussion of Falstaffs allure culminates in a warning about its danger: Yet the man thus corrupt, thus despicable, makes himself...perpetual gaiety, by an unfailing power of exciting laughter, which is the more freely indulged, as his wit is not of the splendid or ambitious kind, but... | |
| William Shakespeare - 2002 - 186 str.
...defenceless. At once obsequious and malignant, he satirizes in their absence those whom he lives by nattering. He is familiar with the Prince only as an agent of...perpetual gaiety, by an unfailing power of exciting laughter, which is the more freely indulged, as his wit is not of the splendid or ambitious kind, but... | |
| Brian Vickers - 2005 - 472 str.
...At once obsequious and malignant, he satirises in their absence those whom he lives by flattering. He is familiar with the prince only as an agent of...perpetual gaiety, by an unfailing power of exciting laughter, which is the more freely indulged, as his wit is not of the splendid or ambitious kind, but... | |
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