 | William Shakespeare - 1863 - 492 str.
...round belly with good capon lined, With eyes severe and beard of formal cut, 155 Full of wise saws and modern instances ; And so he plays his part. The sixth...side, His youthful hose, well saved, a world too wide 160 For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And... | |
 | John William Draper - 1863 - 656 str.
...settling "Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side ; His yonthful hose, well saved, a world too wide For his shrunk...whistles in his sound. Last scene of all, That ends this strange, eventful history, Is second childishness and mere oblivion — Sans teeth, sans eyes, sans... | |
 | John William Draper - 1864 - 648 str.
...Aristotelism and Stoicism is sinking into the superannuated dotard ; he is settling "Into the/leans and slipper'd pantaloon, With spectacles on nose and...whistles in his sound. Last scene of all, That ends this strange, eventful history, Is second childishness and mere oblivion — Sans teeth, sans eyes, sans... | |
 | Henry Twells - 1864 - 318 str.
...sixth age shifts 'Into the lean and slippered pantaloon, "With spectacles on nose, and pouch on tide ; His youthful hose well saved, a world too wide For...whistles in his sound : last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | Charles Dexter Cleveland - 1865 - 784 str.
...with goo<l enpon lined. With eyes severe, and beard of formal cut,' Full of wise saws and mixlern3 instances. And so he plays his part: The sixth age...whistles in his sound: Last scene of all. That ends this strange eventful history, Is second childishness, arid mere oblivion: Sans teeth, sans eyes, sans taste,... | |
 | John William Stanhope Hows - 1865 - 592 str.
...and modern instances, And so he plays his part. The sixth stage shifts Into the lean and slippered pantaloon, With spectacles on nose, and pouch on side...whistles in his sound : Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | John Bartlett - 1865 - 504 str.
...saws and modern instances, And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose, and pouch on side...whistles in his sound. Last scene of all, That ends this strange, eventful history, Is second childishness and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare - 1866 - 328 str.
...round belly with good capon lined, With eyes severe, and beard of formal cut, Full of wise saws and modern instances ; And so he plays his part. The sixth...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare - 1866 - 612 str.
...Full of wise saws and modern instances; And so he plays his part . The sixth age shifts justice Inio the lean and slipper'd pantaloon; With spectacles...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion; Sans teeth, sans eyes, sans taste,... | |
 | Nelson Thomas and sons, ltd - 1866 - 408 str.
...saws, and modern instances, And so he plays his part : The sixth age shifts Into the lean and slippered pantaloon ; With spectacles on nose, and pouch on...whistles in his sound : Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion; Sans teeth, sans eyes, sans taste,... | |
| |
The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles... 
