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" Twixt right and wrong ; for pleasure and revenge Have ears more deaf than adders to the voice Of any true decision. "
King Henry VI. Part 3 ; King Richard III ; King Henry VIII ; Troilus and ... - Strana 1821
autor/autoři: William Shakespeare, Nicholas Rowe - 1709
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An Abridgment of Elements of Criticism

Lord Henry Home Kames - 1831 - 328 str.
...— CTMBELINE, ACT III. Sc. 4. As also human passions. Take the following, example : • For Pleasure and Revenge Have. ears more deaf than adders, to the voice Of any true decision. TBOILUS AND CRESSIDA. — ACT II. Sc. 4. Virgil explains fame and its effects by a still...
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The Works of Francis Bacon, Lord Chancellor of England: A New Edition:

Francis Bacon, Basil Montagu - 1834 - 376 str.
...passion of distempered blood Than to make up a free determination 'Twixt right and wrong, ' for pleasure and revenge Have ears more deaf than adders to the voice Of any true decision.' " — Troilus and Cressida. In the memoirs of Baron Grimm, he says, " Madame Geoffrin avait...
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Richard III. Henry VIII. Troilus and Cressida. Timon of Athens. Coriolanus

William Shakespeare - 1836 - 588 str.
...passion of distempered blood, Than to make up a free determination 'Twixt right and wrong ; for pleasure, and revenge, Have ears more deaf than adders to the voice Of any true decision. Nature craves, All dues be rendered to their owners. Now, What nearer debt in all humanity,...
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Essays and Selections

Basil Montagu - 1837 - 382 str.
...passion of distemper'd blood Than to make up a free determination 'Twixt right and wrong ; " for pleasure and revenge Have ears more deaf than adders, to the voice Of any true decision." Instances of this law of our nature occur every moment to a vigilant observer.* ... * Such...
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The wisdom and genius of Shakspeare: comprising moral philosophy ...

William Shakespeare - 1838 - 484 str.
...Against the blown rose may they stop their nose, That kneel'd unto the buds. 30— iii. 1 1 . 61 Pleasure and revenge Have ears more deaf than adders to the voice Of any true decision. 26 — ii. 2. 62 Wrong hath but wrong, and blame the due of blame. 24 — v. 1. 63 An English...
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The Wisdom and Genius of Shakespeare: Comprising Moral Philosophy ...

William Shakespeare, Thomas Price - 1839 - 478 str.
...Against the blown rose may they stop their nose, That kneel'd unto the buds. 30— iii. 11. 61 Pleasure and revenge Have ears more deaf than adders to the voice Of any true decision. 26 — ii. 2i. 62 Wrong hath but wrong, and blame the due of blame. 24 — v. 1. 63 An English...
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Selections from the Works of Taylor, Latimer, Hall, Milton, Barrow, South ...

Basil Montagu - 1839 - 404 str.
...passion of distemper'd blood, Than to make up a free determination 'Twixt right and wrong ; for pleasure and revenge Have ears more deaf than adders to the voice Of any true decision. Lord Bacon, in stating the objections made by divines to the advancement of learning, says,...
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The Dramatic Works of William Shakspeare, Svazek 5

William Shakespeare - 1839 - 534 str.
...of distemper'd blood, Than to make up a free determination i'Twixt right and wrong ;(£or pleasure, and revenge, /Have ears more deaf than adders to the voice Of any true decision. ) Nature craves, All dues be render'd to their owners ; Now "What nearer debt in all humanity,...
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The Dramatic Works of William Shakspeare: Richard III. Henry VIII. Troilus ...

William Shakespeare - 1839 - 592 str.
...passion of distempered blood, Than to make up a free determination 'Twixt right and wrong; for pleasure, and revenge, Have ears more deaf than adders to the voice Of any true decision. Nature craves, All dues be rendered to their owners. Now, What nearer debt in all humanity,...
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The Philosophy of Shakspere: Extracted from His Plays

William Shakespeare, Michael Henry Rankin - 1841 - 266 str.
...Troilus and Cressida. Act ii. Scene 2. * Opinion. JUDGMENT AFFECTED BY PASSION. Hector. . . . Pleasure and revenge Have ears more deaf than adders to the voice Of any true decision. Troilui and Creseida. Act ii. Scene 2. SERVILE PRAISE. Poet. When we for recompense have...
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