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" I hold the world but as the world, Gratiano ; A stage where every man must play a part, And mine a sad one. "
Cumberland's British Theatre: With Remarks, Biographical and Critical - Strana 13
upravili: - 1826
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Shakespeare the Actor and the Purposes of Playing

Meredith Anne Skura - 1993 - 325 str.
...through his self-consciousness about his assigned role and his willingness to play it: I hold this world but as the world, Gratiano, A stage, where every man must play a part, And mine a sad one. (MV 1.1.77-79) Later at the trial, while Shylock sharpens his knife, Antonio accepts his death so willingly,...
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The Complete Works of William Shakespeare

William Shakespeare - 1996 - 1263 str.
...have in mind where we must meet. BASSANIO. I will not fail you. GRATIANO. You look not well, Signier Antonio, that I follow thus A losing suit against him. Are you answer'd? BASSANtO. This changed. ANTONIO. I hold the world but as the world, Gratiano; A stage, where every man must play a...
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Shakespeare the Playwright: A Companion to the Complete Tragedies, Histories ...

Victor L. Cahn - 1996 - 865 str.
...energy takes over. Gratiano notices that Antonio is depressed, and Antonio acknowledges this mood: I hold the world but as the world, Gratiano, A stage,...where every man must play a part. And mine a sad one. (I, i, 77-79) He invites commiseration, but no one cares to probe further. Indeed, Gratiano takes this...
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Particular Saints: Shakespeare's Four Antonios, Their Contexts, and Their Plays

Cynthia Lewis - 1997 - 250 str.
...him in a life of material acquisition, no matter how much, as Gratiano suspects, it may sicken him: "You look not well, Signior Antonio, / You have too...world. / They lose it that do buy it with much care" (1.1.73-75). The Antonio of the play's title—the merchant—is something of the genuine fool, the...
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The Mirror of Justice: Literary Reflections of Legal Crises

Theodore Ziolkowski - 2003 - 322 str.
...sad" [1.1.45]) nor from love. The normally imperceptive Gratiano probably comes closest when he tells Antonio: You have too much respect upon the world: They lose it that do buy it with much care. . . . (1.1.74-75) These lines suggest that Antonio's sadness results not, as many critics believe,...
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A Genealogy of Manners: Transformations of Social Relations in France and ...

Jorge Arditi - 1998 - 312 str.
...everything.9 In a slightly different form, the idea is repeated by Antonio in The Merchant of Venice: I hold the world but as the world, Gratiano — A...stage, where every man must play a part, And mine a sad one.10 In Hamlet we are introduced to the image of the existentially detached person coping with the...
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Missing Links: Arts, Religion and Reality

Jonneke Bekkenkamp - 2000 - 198 str.
...103. 16 Bal 61. THREE Mercy's Machinations: The Merchant of Venice Reread Madeleine Kasten Antonio: I hold the world but as the world, Gratiano, A stage,...where every man must play a part, And mine a sad one. -William Shakespeare, The Merchant of Venicel.\.77-79l When I maintain an ethical relation I refuse...
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The Merchant of Venice

William Shakespeare - 2000 - 103 str.
...attend on wait on (ie, fit) BASSANIO I will not fail you. GRATIANO You look not well, Signor Antonio. 74 You have too much respect upon the world; They lose...that do buy it with much care. Believe me, you are marvelously changed. ANTONIO I hold the world but as the world, Gratiano: A stage where every man must...
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Acting as a Way of Salvation: A Study of Rāgānugā Bhakti Sādhana

David L. Haberman - 2001 - 211 str.
...Sanskrit terms is provided at the end of this book. • ACTING AS A WAY OF SALVATION l Introduction I hold the world but as the world, Gratiano— A stage, where every man must play a part. WILLIAM SHAKESPEARE, The Merchant of Venice There are as many realities as you care to imagine. LAWRENCE...
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The Sonnets

William Shakespeare - 2001 - 500 str.
...compare As You Like It, II.vii.139, "All the world's a stage," and The Merchant of Venice, Ii77 f., " I hold the world but as the world, Gratiano — A stage, where every man must play a part." 4.] BEECHING (ed. 1904): The stars are represented as spectators at the play, "cheering and checking....
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