 I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree and in the mode of its operation. It dissolves, diffuses, dissipates, in order to...  The American Whig Review - Strana 1771848Úplné zobrazení - Podrobnosti o knize
 | John Sallis - 2000 - 262 str.
...imagination is characterized as "co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in the mode of its operation." In kind, it remains creative, a repetition of the repetition of divine creation. It differs only in... | |
 | Zong-qi Cai - 2001 - 386 str.
...degree, and in the mode of 1ts operation. It dissolves, diffuses, dissipares, in order to recreare; or where this process is rendered impossible, yet still, at all events it struggles to ideali2e and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed... | |
 | Dipesh Chakrabarty - 2000 - 324 str.
...creation in the infinite I AM. The secondary I consider as an echo of the former, . . . identical with the primary in the kind of its agency, and differing only in degree and the mode of its operation. It dissolves, diffuses, dissipates, in order to recreate. ... It is essentially... | |
 | Frank Mehring - 2001 - 194 str.
...consider as an echo of the former, coexisting with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only...to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. 305 Emerson, „Gnothi Seauton". VI,... | |
 | Martin Travers - 2001 - 372 str.
...consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only...to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other... | |
 | Osman Durrani, Julian Preece - 2001 - 500 str.
...co-existing with the conscious will, yet still as identical with the primary in the kind of its agency [...]. It dissolves, diffuses, dissipates, in order to re-create,...yet still at all events it struggles to idealize and unify.22 In the later twentieth century the relation between historical and poetic discourse has been... | |
 | Osman Durrani, Julian Preece - 2001 - 500 str.
...co-existing with the conscious will, yet still as identical with the primary in the kind of its agency [...]. It dissolves, diffuses, dissipates, in order to re-create,...or where this process is rendered impossible, yet stiü at all events it struggles to idealize and unify. :1 In the later twentieth century the relation... | |
 | Hans Werner Breunig - 2002 - 356 str.
...Artunterschied gelter, lassen: "The secondary I consider ... as identical with the primary in the kit?<J of its agency, and differing only in degree, and in the mode of its operation."1" Der Unterschied, den er dann zur 'fancy' aufzeigt, legt indessen durchaus einen Unterschied... | |
 | Bernadette Malinowski - 2002 - 468 str.
...the conscious will, yet still as identical with the primary in the kind of its agency, and dif fering only in degree, and in the mode of its operation....to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has no other... | |
 | Samuel Taylor Coleridge - 2002 - 296 str.
...artist's shaping spirit is presumably what lies beneath the mention of 'struggle' in BL: the imagination 'dissolves, diffuses, dissipates, in order to re-create;...all events it struggles to idealize and to unify' (i. 304). 3i. The entry continues over the page with thoughts about RS's Curse ofKehama. 501 18. 80... | |
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