 | John Keats - 1883 - 608 str.
...pursuit ? What struggle to escape ? What pipes and timbrels ? What wild ecstasy ? 2. Heard melodies are sweet, but those unheard Are sweeter ; therefore,...pipes, play on ; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone : Fair youth, beneath the trees, thou canst not leave... | |
 | Thomas Humphry Ward - 1883 - 686 str.
...mad pursuit ? What struggle to escape ? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter ; therefore,...pipes, play on ; Not to the sensual ear, but, more endeared, Pipe to the spirit ditties of no tone : Fair youth, beneath the trees, thou canst not leave... | |
 | John Keats - 1883 - 310 str.
...mad pursuit ? What struggle to escape ? What pipes and timbrels ? What wild ecstasy ? Heard melodies are sweet, but those unheard Are sweeter; therefore,...pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone : Fair youth, beneath the trees, thou canst not leave... | |
 | 1915 - 626 str.
...but of spirit. In this connection, his own words are applicable: "Heard melodies are sweet, but ihose unheard Are sweeter, therefore, ye soft pipes play on; Not to the sensual ear, but more endeared, Pipe to the spirit ditties of no tone." This is that highest flight of beauty, and its home... | |
 | Nikki Moustaki - 2001 - 376 str.
...What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore,...pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave... | |
 | Frances Mayes - 2001 - 548 str.
...What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore,...pipes, play on; Not to the sensual ear, but, more endeared, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave... | |
 | Catherine Maxwell - 2001 - 292 str.
...his speaker creates for himself the sound of the pipes depicted on the Grecian urn: Heard melodies are sweet, but those unheard Are sweeter; therefore,...pipes, play on; Not to the sensual ear, but, more endeared, Pipe to the spirit ditties of no tone. (11-14) One of Browning's contemporaries, the writer... | |
 | Richard Claverhouse Jebb - 2002 - 312 str.
...finely the sense in which the spiritual existence of that beauty has been prolonged : — Heard melodies are sweet, but those unheard Are sweeter ; therefore,...pipes, play on ; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone. Other poets there have been, and are, who have consciously... | |
 | Université de Bordeaux III. Groupe d'études et de recherches britanniques - 2002 - 324 str.
..."art should have ideas behind it" contrastent fortement avec celles de John Keats : Heard melodies are sweet, but those unheard Are sweeter; therefore,...pipes, play on; Not to the sensual ear, but, more endeared Pipe to the spirit ditties of no tone; Pair youth, beneath the trees, thou canst not leave... | |
 | Tonya M. Stremlau - 2002 - 212 str.
...hear could easily be blessed more so than his hearing counterpart. According to Keats: "Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; I took a Shakespeare class one semester. On the first day, the professor, a grizzly old man who had... | |
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Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone... 
