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" I COME no more to make you laugh ; things now, That bear a weighty and a serious brow. Sad, high, and working, full of state and woe, Such noble scenes as draw the eye to flow, We now present. "
The Plays of William Shakespeare ...: With the Corrections and Illustrations ... - Strana 197
autor/autoři: William Shakespeare - 1808
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The works of William Shakespeare, ed. by H. Staunton, Svazek 4

William Shakespeare - 1873 - 526 str.
...Qucen ; Spirits, «- hich appear to her; Scribes, Officers, Guards, and other Attendants. PROLOGUE. I COME no more to make you laugh; things now. That bear a weighty and a serious brow, Such noble scenes as draw the eye to flow, Sad, and high-working," full of state and woe, We now present....
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The Complete Works of William Shakespeare ...

William Shakespeare - 1911 - 566 str.
...Officers, Guards, and other Attendants. THE FAMOUS HISTORY OF THE LIFE OF KING HENRY THE EIGHTH PROLOGUE I come no more to make you laugh : things now, That...and woe, Such noble scenes as draw the eye to flow, 4 We now present. Those that can pity, here May, if they think it well, let fall a tear ; The subject...
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The Life of Henry the Eighth

William Shakespeare - 1912 - 214 str.
...Officers, Guards, and other Attendants. SCENE: London; Westminster; KimboUon.] Life of THE PROLOGUE I COME no more to make you laugh : things now, That...to flow, We now present. Those that can pity, here 5 May, if they think it well, let fall a tear ; The subject will deserve it. Such as give Their money...
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The Provincial American and Other Papers

Meredith Nicholson - 1912 - 256 str.
...are degraded for his pleasure. Smith, it seems, is too weary from his day's work to care for dramas "That bear a weighty and a serious brow, Sad, high, and working, full of state and woe." He is one of the loyalest patrons of that type of beguilement known as the "musical comedy," which...
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The Atlantic Monthly, Svazek 110

1912 - 900 str.
...are degraded for his pleasure. Smith, it seems, is too weary from his day's work to care for dramas That bear a weighty and a serious brow, Sad, high, and working, full of state and woe. He is one of the most loyal patrons of that type of beguilement known as the musical comedy, which...
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Pamphlet, Vydání 27–47

1914 - 556 str.
...Henry VIII. The prologue announces a subject which is of the very essence of Aristotle's definition : I come no more to make you laugh ; things now That...woe, Such noble scenes as draw the eye to flow We here present. Vet the play has room for the typically Shakespearian scene of the crowd and the testy...
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Ethical Addresses and Ethical Record, Svazek 21

1914 - 230 str.
...The answer that I propose to give cannot be jocose. In the words of one of Shakespeare's prologues, "I come no more to make you laugh; things now, That...brow, Sad, high, and working, full of state and woe," must be my theme. In the deepest heart of all of us there is a corner in which the ultimate mystery...
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Fifteen Plays of Shakespeare: With a Glossary Abridged from the Oxford ...

William Shakespeare - 1916 - 1174 str.
...Gentlemen. Garter King-at-Arms. SCENE. — Chiefly in London and Westminster ; once, at KimbdUon. PROLOGUE. I come no more to make you laugh : things now, That...pity, here May, if they think it well, let fall a tear ; DOCTOR BUTTS, Physician to the King. Surveyor to the Duke of Buckingham. BRANDON, and a Sergeant-atArms....
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An Image of Shakespeare

Frank James Mathew - 1922 - 462 str.
...Pageant to be his first mature Tragedy. Perhaps he could have said as Fletcher did in the Prologue, I come no more to make you laugh : things now That...noble scenes as draw the eye to flow, We now present. THE TRAGEDIES OHAKESPEARE lived in passionate times, and they grew Odarker as he came to maturity....
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Poet Lore, Svazek 36

1925 - 702 str.
...function is more that of preface and after-word than that of interpretation. The Prologue starts thus: I come no more to make you laugh: things now, That...noble scenes as draw the eye to flow, We now present. Having defined several categories of plays and having classified his own, the poet concludes, after...
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