 | John Bull - 1825 - 782 str.
...formal cut. Full of wise saws and modern instances, And so he plays his part : The sixth age shifts Into the lean and slipper'd pantaloon ; With spectacles...too wide For his shrunk shank ; and his big manly veicr, Turning again toward childish treble, pipes And whistles in the sound: I.ast scene of ail 1'hat... | |
 | William Shakespeare - 1826 - 544 str.
...formal cut, Full of wise saws and modern instances, 8 And so he plays his part : The sixth age shifts Into the lean and slipper'd pantaloon ; With spectacles...taste, sans every thing. Re-enter ORLANDO, with ADAM. Duke S. Welcome : Set down your venerable burden And let him feed. both for ornament and instruction,... | |
 | John White (A.M.) - 1826 - 340 str.
...formal cut, Full of wise saws and modern instances ; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles...Sans teeth, sans eyes, sans taste, sans every thing! The Chameleon. OPT has it been my lot to mark A proud, conceited, talking spark, With eyes that hardly... | |
 | William Shakespeare - 1826 - 472 str.
...instances, And so he plays his part: The sixth age shifts Into the lean and slipper'd pantaloon 25 ; With spectacles on nose, and pouch on side; His youthful...taste, sans every thing. Re-enter ORLANDO, with ADAM. Duke S. Welcome: Set down your venerable burden, And let him feed. 22 So in Cymbeline: ' Hefurnaceth... | |
 | William Shakespeare - 1826 - 996 str.
...and modern instances, And so he plays his part : 'Die sixth age shifts Into the lean and slippcr'd ! *hq *Pq * 8q * mih ADAM. Stil-c S. Welcome : Set down your vcnenllt burden, And let him feed. />./. I thank you most... | |
 | William Shakespeare - 1826 - 476 str.
...instances, And so he plays his part : The sixth age shifts Into the lean and slipper'd pantaloon25; With spectacles on nose, and pouch on side ; His youthful...taste, sans every thing-. Re-enter ORLANDO, with ADAM. Duke S. Welcome : Set down your venerable burden, And let him feed. 22 So in Cymbeline : ' He furnaceth... | |
 | Benjamin Humphrey Smart - 1826 - 242 str.
...hose, well saved, a world too wide For his shrunk shank, and his big, manly voice Turning again to childish treble, pipes And whistles in his sound....Sans teeth, sans eyes, sans taste, sans every thing. SHAKSPEARE. 2. The Fly and the Spider. ^ To read this fable dramatically, there must be three voices,... | |
 | 1826 - 408 str.
...and slipper'd pantaloon ; With spectacles on nose, and pouch on side ; His youthful hose well saved, a world too wide For his shrunk shank ; and his big...pipes And whistles in his sound : Last scene of all, f That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth,... | |
 | William Shakespeare - 1826 - 548 str.
...shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in its sound : Last scene of all, That ends this strange,...Sans teeth, sans eyes, sans taste, sans every thing. SHAKSPEARE'S WILL. FROM THE ORIGINAL IN THE OFFICE OF THE PREROGATIVE COURT OF CANTERBURY. Vicesimo... | |
 | William Enfield - 1827 - 412 str.
...formal cut, Full of wise saws and modern instances ; And so he plays his part. The sixth age shift* Into the lean and slipper'd pantaloon, With spectacles...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childislmess, and mere oblivion, Sans teeth, sans eyes, sans taste,... | |
| |
With spectacles on nose, and pouch on side ; His youthful hose, well sav'd, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound. 
