| Brian B. Ritchie - 1999 - 362 str.
...the deceptiveness and powerlessness of the King's most important adjuncts, his name and crown: But what are kings when regiment is gone But perfect shadows...I bear the name of king; I wear the crown, but am controlled by them ... (5.1. 126) This sense of powerlessness is illustrative of what Michael Hattaway... | |
| Brian B. Ritchie - 1999 - 362 str.
...the deceptiveness and powerlessness of the King's most important adjuncts, his name and crown: But what are kings when regiment is gone But perfect shadows...I bear the name of king; I wear the crown, but am controlled by them ... (5.1. 126) This sense of powerlessness is illustrative of what Michael Hattaway... | |
| Troni Y. Grande - 1999 - 232 str.
[ Omlouváme se, ale obsah této stránky je nepřístupný. ] | |
| Ian McAdam - 1999 - 300 str.
...that his role as king required real responsible action, and was not only a spectacle of power: "But what are kings when regiment is gone / But perfect shadows in a sunshine day?" (26-27). Hypocritically, Edward accuses the woman he has rejected of staining his "nuptial bed with... | |
| Christopher Marlowe - 2000 - 564 str.
...mind I am a king, Methinks I should revenge me of my wrongs, That Mortimer and Isabel have done. But what are kings, when regiment is gone, But perfect...I bear the name of king; I wear the crown, but am controll'd by them, By Mortimer, and my unconstant queen, 30 Who spots my nuptial bed with infamy,... | |
| 1969 - 492 str.
[ Omlouváme se, ale obsah této stránky je nepřístupný. ] | |
| Lawrence Danson - 2000 - 172 str.
...defiance and despair, and at both poles of his turmoil is the tragic fact of sacrificial kingship: 'But what are kings when regiment is gone, | But perfect shadows in a sunshine day?' (5. 1. 26-7)In Richard II, Shakespeare echoes both the specific rhetoric and the larger dramatic logic... | |
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