 | Iolo Aneurin Williams - 1923 - 528 str.
...And chase the new-blown bubbles of the day Ah ! let not Censure term our fate our choice, The stage but echoes back the public voice ; The drama's laws, the drama's patrons give, For we that live to please, must please to live. Then prompt no more the follies you decry, As tyrants... | |
 | Arthur Edwin Krows - 1928 - 592 str.
...And chase the new-blown bubbles of the day. Ah! let not censure term our fate our choice, The stage but echoes back the public voice; The drama's laws the drama's patrons give, For we that live to please must please to live. The usual quotation from this prologue covers just the... | |
 | 1861 - 612 str.
...thirteenth. To be a scald was a profession, and subject to the inexorable laws of all professions. ' The Drama's laws the Drama's patrons give ; For those who live to please, must plense to live.' When a stranger arrived at the hall of a chief it was customary in those days of much... | |
 | 1908 - 856 str.
...The Box Office. THE BOX OFFICE. By His HONOH Ah! let not censure term our fate our choice, The stage but echoes back the public voice; The drama's laws, the drama's patrons give, For we that live to please must please to live. Samuel Johnson. l have a vague uotion that l wrote this... | |
 | 1826 - 644 str.
...any point of taste to the audience, and illustrated iq its fullest extent the maxim of the poet. ' The drama's laws, the drama's patrons give, For those who live to please, must please to live.' Kemble, on the contrary, felt much more for the honour of his profession and the truth of the dramatic... | |
 | 1826 - 642 str.
...any point of taste to the audience, and illustrated in its fullest extent the maxim of the poet. ' The drama's laws, the drama's patrons give, For those who live to please, must please to live.' , Kemble, on the contrary, felt much more for the honour of his profession and the truth of the dramatic... | |
 | Thomas Davies - 1969 - 836 str.
...And chase the new blown bubble of the day. Ah ! let not censure term our fate our choice, The stage but echoes back the public voice. The drama's laws the drama's patrons give, For we, who live to please, must please to live. Then prompt no more the follies you decry, As tyrants... | |
 | James T. Boulton - 1975 - 304 str.
...2 In short . . . Employments Cf. Johnson's Prologue at the Opening of Drury Lane (1747): 'The stage but echoes back the public voice; The drama's laws, the drama's patrons give, For we that live to please, must please to live.' 3 Clenching ie fastening securely. 4 Prologue Written... | |
 | Barry Sutcliffe - 1983 - 292 str.
...of gentle audience flattery in his Prologue at the Opening ofDrury Lane Theatre in l 747 : The stage but echoes back the public voice. The drama's laws the drama's patrons give, For we that live to please, must please to live. he could scarcely have imagined he was laying the basis... | |
 | Elaine Hadley - 1995 - 326 str.
...obligations to their spectators had been most famously described by Samuel Johnson in 1747: The Stage but echoes back the public voice, The drama's laws the drama's patrons give, For we that live to please, must please to live.2 The chiasmatic balance of Johnson's phrasing and the... | |
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Ah ! let not Censure term our fate our choice, The stage but echoes back the public voice ; The drama's laws, the drama's patrons give, For we that live to please, must please to live. 
