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" I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But... "
The Plays and Poems of Shakespeare,: According to the Improved Text of ... - Strana 75
autor/autoři: William Shakespeare - 1844
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The Works of William Shakespeare: Comprising His Dramatic and ..., Svazek 2

William Shakespeare, George Steevens - 1853
...what a rogue and peasant slave am 1 1 It it not monstrous, that this player here, But in a 6ction, saith she, and thou shalthavc it; •0 give it me, lest thy hard heart do steel it, And in's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for...
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School elocution : or The young academical orator

William Herbert - 1853 - 192 str.
...her health, Her beauty, her fertility. She dreads An instant's pause, and lives but while she moves. Is it not monstrous, that this player here, But in...passion, Could force his soul so to his own conceit ? And all for nothing ! What would he do, Had he the motive and cue for passion, That I have ? How...
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Notes and Queries

1855
...tense, because I do not remember to have seen the word wanned used, except in Hamlet, Act I. Sc. 2. : " Is it not monstrous, that this player here, But in...own conceit, That from her working all his visage wanned." It is singular that Johnson, though he quotes the passage from Hamlet, classes this word as...
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The Works of Shakespeare: the Text Carefully Restored According to the First ...

William Shakespeare - 1856
...welcome to Elsinore. Ros. Good my lord ! [Exeunt ROSENCRANTZ and GUILDENSTERN. Ham. Ay, so, God be wi' you. — Now I am alone. O, what a rogue and peasant...his visage wann'd ; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit ? And all for...
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The Stratford Shakspere, ed. by C. Knight, Svazky 17–22

William Shakespeare - 1856
...lord ! [ExeutU ROSENCRANTZ and GUILDENSTERN. HAM. Ay, so, God be wi' you : Now I am alone. 0, what a rogue and peasant slave am I ! Is it not monstrous,...a dream of passion, Could force his soul so to his whole conceit, That from her working, all his visage wann'd ; Tears in his eyes, distraction in 's...
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The works of William Shakspere. Knight's Cabinet ed., with ..., Svazek 7

William Shakespeare - 1856
...Ros. and GUII.. Ham. Ay, so, God be wi' you : Now I am alone. O, what a rogue and peasant slave am l ! Is it not monstrous, that this player here, But in...a dream of passion, Could force his soul so to his whole conceit, That from her working, all his visage warm'd ; Tears in his eyes, distraction in 's...
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The Plays & Poems of Shakespeare: According to the Improved Text of Edmund ...

William Shakespeare - 1857
...Guildenstern. Ham. Ay, so, good bye to you. — Now I am alone. O, what a rogue and peasant slave am 1 1 Is it not monstrous, that this player here, But in...forms to his conceit ? — and all for nothing ! For Hecuha ! What 's Hecuba to him, or he to Hecuha, That he should weep for her ? What would he do. Had...
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Semiotics of Language, Literature, and Culture

Vennelaṇṭi Prakāśam - 1999 - 168 str.
...I am alone. O, what a rogue and peasant slave am I\ Is it not monstrous that this player here, Put in a fiction, in a dream of passion, Could force his...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting...
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Reinventing Drama: Acting, Iconicity, Performance

Bruce G. Shapiro - 1999 - 226 str.
...that acting does not rest upon transformation but instead upon the player's "monstrous" ability to "force his soul so to his own conceit / That from...his visage wann'd; / Tears in his eyes, distraction in's aspect, / A broken voice, and his whole function suiting / With forms to his conceit."69 In the...
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The Cue for Passion: Grief and Its Political Uses

Gail Holst-Warhaft - 2000 - 228 str.
...Afterthoughts 198 Notes 203 References 213 Index 225 The Cue for Passion Introduction: The Theater of Mourning O, what a rogue and peasant slave am I! Is it not...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing!...
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