Shakespeare's Comedy of LoveRoutledge, 11. 10. 2013 - Počet stran: 288 First published in 1987. |
Vyhledávání v knize
Strana 23
... vision the ordinary eye cannot recognize : Speed : You never saw her since she was deform'd . Valentine : How long hath she been deform'd ? Speed : Ever since you lov'd her . ( II . i . 56-8 ) Love is a chameleon in more than its ...
... vision the ordinary eye cannot recognize : Speed : You never saw her since she was deform'd . Valentine : How long hath she been deform'd ? Speed : Ever since you lov'd her . ( II . i . 56-8 ) Love is a chameleon in more than its ...
Strana 27
... vision , seems to be in itself the play's main function . But a comic interplay of perspectives is maintained through the presentation of the lovers themselves . They may not struggle against the indifferent outside world with any great ...
... vision , seems to be in itself the play's main function . But a comic interplay of perspectives is maintained through the presentation of the lovers themselves . They may not struggle against the indifferent outside world with any great ...
Strana 59
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Strana 62
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Strana 71
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Obsah
6 | |
9 | |
10 | |
21 | |
The Taming of the Shrew | 41 |
Loves Labours Lost | 63 |
A Midsummer Nights Dream | 89 |
The Merchant of Venice | 117 |
Much Ado About Nothing | 151 |
As You Like It | 185 |
Twelfth Night | 221 |
beyond Twelfth Night | 255 |
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Běžně se vyskytující výrazy a sousloví
accept action Antonio appears audience awareness Bassanio Beatrice becomes Benedick Berowne characters Claudio comedy comes comic convention court create depends disguise dream Duke earlier effect experience expression eyes fact feeling figure final follow formal friends give hand harmony hear heart Hero human idea important joke keep kind lady language less letter limited London look lord Love's Labour's Lost lovers Malvolio manner marriage means mind moving nature never night Olivia once opening Orlando pattern Petruchio Plautus play play's plot Portia presents Proteus provides reality reason reminds role romantic Rosalind scene seems seen sense serious Shakespeare Shylock side simply speak speech sport stage story suggests thee thing thou throughout touch true turn Venice Viola vision