An elegant, moving little book from the current state poet of Nebraska that reflects the author's fascination and intense personal involvement with waters big and small, from farm ponds to the South Pacific. Kloefkorn (English/Nebraska Wesleyan Univ.) cites Loren Eisley's dictum, ``If there is magic on this planet, it is contained in water.'' The author finds magic in other liquids, too, ``chief among them cow's milk,'' but it is water—and the dangers it can pose—that is Kloefkorn's touchstone, both literary and actual. At the age of six, he fell into Harold Simpson's cow- pasture pond in south-central Kansas and nearly drowned. A few years later his brother, trying to sit behind the wheel of a car submerged in Ely's Sandpit, duplicated the near-fatal mishap. The author writes of his youthful wonder at the family's cistern; of watching his grandmother at a washtub in the backyard, ``washing her long white hair in rainwater''; of his and a paraplegic friend's baptism in Shannon's Creek, performed by a preacher whose sermons were, like ``Kansas waterways, neither deep nor wide.'' Kloefkorn notes another baptism that went awry, with the victim drowning, and wonders if it ``had been sufficiently and well-enough performed for it to have taken hold and thus last.'' Some of the waters he treads are larger, or of different form: He recalls learning of the hundreds drowned in the ``bespoiled water'' of Pearl Harbor; FDR taking the waters at Warm Springs, Ga.; Truman's calling the Hiroshima bomb ``a black rain of ruin''; the time he and a friend dropped an M-80 firecracker in the women's toilet at the Baptist church, bringing on a prodigious flood. He writes, also, of favorite rivers, especially Nebraska's Loup, a stream he has floated down every summer for 30 years. Water drenches these pages, written about in a style that both immerses and quenches.
Pub Date: Sept. 1, 1997
ISBN: 0-8032-2736-1
Page Count: 144
Publisher: Univ. of Nebraska
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1997
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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