Intelligent storytelling, albeit too self-consciously structured.
An accomplished English novelist makes her U.S. debut with a sharply observed, intricately plotted novel exploring wounds and attachment across class and time lines.
Linked narratives in the 1950s and 1990s connect a small group of characters dominated by women in crisis. Sylvia, a high-achieving eye surgeon, has recently moved in with Adam, an older widower, and had a child, Clio, only to discover that motherhood isn’t always accompanied by the advertised surge of unconditional love. Four decades earlier, half-deranged Ruby commits the unpardonable sin of allowing her beautiful son George to become damaged. He loses an eye, and his mother is tortured by her demons. Iris, who briefly nurses George, becomes involved with medical student Rob, who tragically changes his mind about her when differences of background and trust intervene. Years later, Rob is the married lover of Sylvia, one of his students. In a story delivered in short chapters hopping back and forth between eras and characters, doubtful, uncertain men and nervous, guilty women question themselves and each other, the earlier generation bound by harsher social and legal constraints. Ferguson’s voice is dryly perceptive as it penetrates her characters’ loneliness, confessions and fears. The interleaved structure can become tiring, and the neat, happy conclusion doesn’t seem fitting for such a dark, nonconformist book, but the author’s control and sympathetic characterizations are notable.
Intelligent storytelling, albeit too self-consciously structured.Pub Date: Oct. 14, 2008
ISBN: 978-1-59051-287-6
Page Count: 376
Publisher: Other Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2008
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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