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WorldCat.org

Preface; 1. Expressive sources and resources in Janácek's musical language Robin Holloway; 2. 'Nothing but pranks and puns': Janácek's solo piano music Thomas Adès; 3. Narrative in Janácek's symphonic poems Hugh Macdonald; 4. Evasive realism: narrative construction in Dostoyevsky's and Janácek's From the House of the Dead Geoffrey Chew and Robert Vilain; 5. Direct discourse and speech melody in Janácek's operas Milos Stedron; 6. Kundera's eternal present and Janácek's ancient Gypsy Michael Beckerman; 7. Janácek's folk settings and the Vixen Zdenek Skoumal; 8. Janácek's operas in Australia and New Zealand: a performance history Adrienne Simpson; 9. Janácek's Moravian publishers Nigel Simeone; 10. Janácek, musical analysis, and Debussy's 'Jeux de vagues' Paul Wingfield; Index.

This is the first major book about the music of the Czech composer Leos Janácek, one of the most important composers of the early twentieth century. The essays cover a range of topics relating to opera, symphonic poem, instrumental music, cultural context, reception, and Janácek as music theorist and analyst.

Janáček studies